![]() ![]() A chief objection was over how the museum depicted Islam, including accusations that it failed to do enough to distinguish al-Qaeda from the majority of the world’s Muslims. are subject to ideological and partisan divisions, the Memorial and Museum must remain a sacred space that seeks to educate and unify,” Cochran says.Ĭriticism of the National September 11 Memorial and Museum began with the site’s inception. Museum spokesperson Lee Cochran gave a statement to TIME and other outlets that the film “looks at the museum through a very specific ideological lens which we do not share.” “At a moment when so many institutions in the U.S. The National September 11 Memorial and Museum has spoken out against the film and asked for multiple scenes to be cut. We learned nothing about the overwhelming cost of two wars, the loss of civil liberties… the systematic use of torture in prison camps.” “There’s been little discussion of how 9/11 actually changed America, how we’re all under surveillance. In a sense, its fundamental message was: how could they have done this to us?” he says. ![]() “Overwhelmingly, the message of the museum wasn’t educational as much as it was about grievance. In an interview for the film, Philip Kennicott, the Washington Post’s chief art and architecture critic, considers what the museum could have featured. Although upwards of 3 million people visit the museum each year-and many find it to be a powerful experience, the documentary scrutinizes the very purpose of the site-and the message sent not only by what it includes, but also by what it doesn’t. ![]()
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